Review 779: Frankenstein
Guillermo del Toro's Frankenstein is a tragic triumph, a passion project brought to life by a visionary filmmaker I can vaguely remember when I first read Mary Shelly's Frankenstein as a young boy, I was moved to tears by it. There was something so inherently sad about the story of something created dead people who turns on his creator and wrestling with questions about fathers and sons, creators and their creations & the obligations of love in the face of abandonment. At the centre of the film is Jacob Elordi (whom you may recognise from Sofia Coppola's Priscilla as well as The Kissing Booth films and can currently be seen in the new version of Wuthering Heights
