Review 698: Past Lives
Who do you think they are to each other? That is the question that opens
Past Lives as we follow a Voyeristic gaze at three people, Na Young (Greta Lee), Hae Sung (Teo Yoo) and Arthur (John Magaro) sitting across the bar and that faceless voice has no idea how their lives are linked. But as the film progresses, we will learn who they are to each other and
Past Lives is a beautifully shot and poigant love story and a magnificent debut for Celine Song.
In keeping with Celine Song's theatre roots, Past Lives is structured like a three act play. The first act follow Nora and Hae Sung as childhood friends in Seoul, South Korea harboring a secret crush on each other until Na Youn's family eventually immigrates to Toronto, Canda where she changes her name to "Nora" and they loose contact. 12 years later, Nora is now budding literacy star in New York while Hae Sung has completed his military service and is now studdying engineering. They meet on Skype and start having conversations about their new lives, but Nora becomes concerned about her growing intimicy with a person who seems to exist on her laptop screen. So she hits the breaks and they fall out of each others lives.
Another 12 years past and Hae
Sung has gone on a holiday to New York where, for the first time in 20
years, he meets Nora who is now married to an American novelist Arthur.
The beauty of this film is that it's quiet, it's discrete, it's thoughtful. It's a film about how you are different things: Any person contains a number of different things and that contact with different people in your life brings out different people in you which help to into its profound themes of lost love and childhood cruch.
The love story of Nora and Hae Sung is not only a fascinating viewing experience allows for self-reflection as well as entertainment.
In a brilliant example of writing from Celine Song
Greta Lee & Teo Yoo are fabulous in this film
Na's current boyfriend
One
of the films most refreshing innovations of this film is to provide
"Nora" with a boyfriend who isn't mearly the third wheel in a love
triangle and an obstacle for Hae Sung to get past. Arthur comes across
as nothing more than a genuine
the cinematography is fabulous, the score by Christopher Bear & Daniel Rossen is beautiful, the locations are stunning
5/5.
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